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A Monthly Resource Delivering to the Empire the Best In Indo-Asian Resources
Monkeys Friend or Foe!

On our forest trip to India, Daya thought a photo of George with a cute little monkey would be nice. The photo here, taken at the Black Mahal, is the result. What the photo doesn't show is that the monkey wasn't interested. In fact he appeared quite annoyed. As he reared up on all fours to snarl at George, two other simian miscreants attempted to sneak up behind him and attack. All three took turns attempting to bite him from behind until a grounds keeper approached with a broom and ran them off.

A slow learner, George at the cave complex in Ajunta was feeding peanuts to some really honest to goodness cute little baby monkeys. Unfortunately, momma wanted some too, but wasn't settled on waiting for old George to toss a few at her. She decided to bare her four inch fangs right at belt
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Fatehpur Sikri
Abandoned Palace

Fatehpur Sikri is a Mogul era fort built by Akbar the Great (1542 - 1605). It's noted for its innovative uses of space and diverse and symbolic architecture that reflected the Emperor's assumed title, King of Kings. Some examples are the Diwan-i-Khasan, an extremely ornate structure with a central pillar supporting a circular platform. The Emperor would stand atop the platform, as Muslim scholars would debate Hindu, Jain, Hebrew and even Catholic scholars below. There were palaces that housed his many multiethnic wives of varied religions and a courtyard, Pachisi Court, containing a large board game occupied by live human game pieces. The fort was located only 26 miles from the Red Fort in Agra where the royal family could escape to, if needed.
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Ghost and Ghouls along the Silk Road
Demons, Vampires, Ogres and More from India and China

Many of the ghouls, goblins and demonic images we carry with us today have very ancient origins. So ancient that many have cross cultural and historical equivalents. Some of the most ancient examples can be found in India and China and have, through the ancient Silk Road and nomadic Gypsies, made their way into Halloween shops throughout the west. Let's take a look at some of them here.

Early Vedic societies in India recorded the existence of Rakshasas, demonic beings that inhabited the underworld and frequently the real world lurking in cremation sites and cemeteries. The demons were mostly nocturnal and could assume a multitude of hideous forms, male and female as well as part animal. They are reputed to be mischievous, interrupting religeous ceremonies and thirst for blood using long fangs to attack infants and occasionally adults draining them of blood.
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Indo-Book Review

"Reading Lolita in Tehran"

Reading Lolita in Tehran is not only a collection of literary criticisms but a powerful glimpse into revolutionary Iran and the actions of everyday life struggling beneath the Ayatollah Khomeini's oppressive regime. Azar Nafisi, a former professor at a Tehran University, resigns her post due to the repressive system permeating Tehran society. She invites 7 of her best female students to read and discuss western literary classics in her home. Eventually the meetings become an outlet for discussions deeper into the themes these books presented: love, marriage, war, and their own new realities. They meet in secret for two years
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Indo-Movie Review

"DEVDAS"

Unfamiliar to most Americans, DEVDAS, starring Indian heartthrob, Shahrukh Khan and Aishwarya Rai, called the most beautiful woman in the world, is the most expensive and popular film ever produced at that time.

The story, like most Indian films, centers on an unspoken love between childhood friends of different social status. Predictably, ...
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Indo-Fashion Focus

"Indo Fashion Fusion Continues"

Indian fashion. These words paint pictures of deep burgundy and auburn colored silk, heavily embroidered with gold thread; thick, cotton, cropped blouses clasped with discreet metal hooks; full, heavy skirts adorned with fine beading. From New Delhi to Bangalore, the alluring curves of the Indian woman have been ornamented with such fine attire.

However, as of late, such exquisite garments have also served as inspiration to some of the world's most revered clothing designers. Fashion moguls such as Armani, Valentino, Ralph Lauren ...
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Indo-Recipes
ALOO GOBI
(Potato and Cauliflower)

Instructions:

Heat oil and saute cumin seeds for about a minute. Stir in garlic and ginger, and then add potatoes and cover. Wait a few minutes then stir in turmeric and chili powder and cover again. After another few minutes add tomatoes and simmer for about 5 more minutes. Next add cauliflower and mix well and cook on high heat for about a minute. Finally, lower heat, cover and simmer for about 15 minutes. Curry should be damp-dry. Serves 3-4

Ingredients:

1 cup chopped Cauliflower
4 Potatoes cubed
1/4 cup of Oil
1 tsp Cumin seeds
1" of fresh Ginger
3 Garlic cloves
3/4 tsp Turmeric powder
1 tsp Red Chili Powder
3 Tomatoes
1 tsp Garam Masala
2 tsp Dhana Jeeru Powder

Click here to downlod a 3" X 5" recipe Card for this Recipe
Print the page and cut along the dotted line. Should fit most recipe card boxes.
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Monkeys Continued...
level as she reached frantically into George's pockets. A little unstable on two feet, she decided to hang from George's outstretched arms with one hand while continuing to search George's pockets. The search was painfully thorough, the beast discarding anything that wasn't a peanut. George kept his arms out-stretched as the heavy simian hung from his arms, as lowering them would bring the little monster's fangs closer to areas best left unbitten. Eventually the little punk found and retrieved a full bag of peanuts that George would have volunteered, given the chance, and slid off George's arm leaving three long scratches.

The event was not captured on film. However, several of the arboreal #$%@*$'s friends can be seen in the photo below. I have no idea what happened to the vehicle's occupants.

George does not like monkeys.

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Fatehpur Sikri Continued...

Fatehpur Sikri was mysteriously abandoned during the emperor's life, ostensibly due to a water shortage, and fell into disrepair. A guide at the fort tells us that British colonists restored much of the fort and described how numerous artifacts from the complex were purchased from local villagers who had for over a century salvaged the empty palaces. He described how a palace door was discovered at one villager's home being used as the side of a shed.

Just outside a palace gate is a monument to the Emperor's favorite pet, an elephant that played an important and bizarre role in the ruler's sense of justice. Individuals condemned to death for some offense were given a second chance at life. They were strapped to the ground and the elephant was led across the helpless person. If the elephant stepped over the person, they were saved by divine intervention and released. The unlucky were trampled to death.

Today Fatehpur Sikri is home to a town of about 26,000 people and many more tourists. The Emperor and his descendents are long gone and only tourists and the ghosts of the unfortunate trampled victims remain. Near the more familiar attractions in Agra, Fatehpur Sikri is definitely a side trip worth taking.

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Ghouls Continued...

A sidekick to the Rakshasas are the Yatu-dhana, described as sorcerers and demons that devoured the remains of humans left by the Rakshasas and pisachas and thought to be the source of malignant diseases. Their appearance is said to be even more hedious than even the Rakshasas.

Even scarier, the ancients believed that Bhatu, the souls of people, who died untimely deaths, were insane or deformed could possess another living person or reanimate a dead body to work its evil will, which might include devouring a living person (a common Indian demon theme). They would appear as dark shadows or misty apparitions and sometimes as a flickering light. Bhatu lurked around cremation grounds, deserts, old ruins, abandoned buildings and other scary deserted places common sense would tell one not to hang out in after dark. Similar to and possibly the source of modern European vampires, Bhatu could transform into bats and owls.

Also found occupying cemeteries and cremation grounds were Betails or Vetalas were demon-like entities that could reanimate the dead. One Betail story was made familiar to and famous in European circles by Richard F. Burton in his1870 translation of King Vikram and the Vampire. In the story, King Vikram is sent by a Yogi to a cemetery to find and return with a Betail that he would find hanging from a tree. The Betail, human in form, was found as described. After much coaxing, King Vikram convinces the Betail to return with him to the Yogi. During the four mile trek back to the Yogi, in another cemetery, the Betail entertains the King with several tales. The tale ends with the Betail helping the King kill the trecherous Yogi and his gang of Rakshasas.

Another terrifying Indian apparition is actually a goddess and consort to the god Siva named Kali. Kali's overall appearance is emaciated and threatening with very dark to black skin and long black coarse hair to her knees. Her lips, eyebrows and eyes are blood red as is her long protruding tongue. She is described as ravenously blood thirsty and is often depicted with a partially severed head dropped to one shoulder having cut her own throat to drink her own blood. As if that wasn't scary enough she is usually depicted adorned with human body parts such as a necklace of severed human heads. She is frequently portrayed in battle devouring her enemies and dancing on their dead bodies.

Oh but we're not done yet! Churels are women who have died unnatural deaths. They could assume human form and return to take revenge on people or harass men in her family who treated her badly. They were reputed to seduce young men to drain them through the night of blood and life force leaving them weak, grey and elderly by morning. Some claimed she would suck the blood of men through their toes at night after having cast a hypnotic spell on the house to hide her activities. Churels could be identified by having missing or animal-like fingers and toes and, most telling, by possessing feet turned backwards, heel forwards. Preventing a Churel from returning from the dead was a tricky matter. Remedies included removing the corpse through the side door rather than the front door of her house to confuse the churel, burying not cremating the corpse, nailing or chaining the corpse to its coffin or placing nails in the ground around the grave. Another method was to sprinkle millet seeds between the burial ground and the house as the churel was compelled to count each seed. This task usually took so long that dawn would first force the mostly nocturnal churel back into the cemetery before she could work her evil. Many of these beliefs traveled with gypsies from India throughout Europe where nailing a corpse suspected of vampirism to its coffin was common.

On the opposite end of the Silk Road Trade Route were the Chiang-Shih, the reanimated body of a human. The soul of people who died violent deaths or were not buried soon enough or properly would stay in the body and eventually reanimate it to cause mischief. They are described as angry, strong and vicious attacking the living when they approached. They tended to remain close to their coffins but could, in time, gain the strength to fly or transform themselves into wolves. Some developed long white hair over their entire body.

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Reading Lolita Continued...

reading books banned by the government, often sharing photocopied pages of the books, having powerful discussions on such writers as Jane Austen, George Orwell, and F. Scott Fitzgerald many of whom created women in their stories who discovered their autonomy despite the smothering standards of their time. Nafisi lends each book new meaning through its equation with their own trials and realities in Tehran. The character of Lolita herself plays a particularly poignant role when the girls discuss Nabokov's classic: The desperate truth of Lolita's story is... the confiscation of one individual's life by another, Nafisi writes, a stern ayatollah, a self-proclaimed philosopher-king, had come to rule our land.... And he now wanted to re-create us. While the book shows the day to day life of women in Iran, the struggles and political turmoil, the message is still clear. Art as savior is a constant theme helping these women to cope with the vacuum their life had become. "There, in that living room, we rediscovered that we were also living, breathing human beings; and no matter how repressive the state became, no matter how intimidated and frightened we were, like Lolita we tried to escape and to create our own little pockets of freedom" This story is a moving account of the power of art, evils of oppression, and the beauty of the human spirit.

Erica L.

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DEVDAS Continued...
... the wealthier family objects to a proposed marriage of the two and Khan leaves town after writing a letter to Rai asking her to forget him. He soon regrets this decision but is rebuffed by Rai who cannot forgive him for not standing with her and marries another older wealthier man. Khan spirals into a hedonistic lifestyle, eventually succumbing to alcoholism.

The film itself is an absolutely beautiful work of art, rich in color and textures filled with music and dance. The two families live in palacial houses constructed and ornamented with marble, gold and stained glass set in a town that is both ethnic and futuristic like an Indian emerald city. The dance scenes are, in our opinion, the best Bollywood has produced, elaborate and stunning. The acting is superb with numerous well-developed characters in rich ethnic costume. The Director working as artist with tools both ancient and ethnic and modern and technical paints an impressive moving glowing picture.

Check out the YOUTUBE video below of Aishwarya Ria's best performance in the film:

Fashion Continued...
... and Vollbracht have all infused India into their collections. Fashion Week 2007 introduced designer Marchesa's "Raj and in Charge" collection of dresses for the Spring/Summer of 2008. Marchesa stays true to the Indian style in and of that his line exhibits heavily embroidered and mirror-bedecked garments, yet he keeps the collection modern throwing in tiny corset and cocktail dresses, plunging necklines, cutouts, and a variety of strapless gowns.

Emma G.

Use the link below to check out the Raj and In Charge Collection slide show:

MARCHESA on Style


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